• Synth-Sales
Clavia Nord 2 Rack #

Nord lead 2 Rack virtual analog synthesizer in perfect conditions

Korg MS2000 R #

Korg MS2000 R rack synthesizer in perfect condition.

Oberheim Matrix 6

Oberheim matrix 6. Nothin more to say. The synthesizer has very elegant custom wood side panels but it also has its original classics. Complete with user manual and disks with patch and technical manual. Superb

Korg Sigma #

SOLD!!! The Korg Sigma is a monophonic analog synthesizer made in Japan in 1979. It is a largely underestimated vintage synthesizer because it is not widespread. His electric organ look has certainly caused the participation in its commercial non-success? But when the ears are open, the SIGMA proves it is a synthesizer with a very strong personality and expressiveness! It is also a sound designer secret weapon. The Korg Sigma offers two distinct sections: the SYNTHE section and the INSTRUMENT section. Both sections are mixable and each have their separate audio output. The SYNTHE section offers several stackable waveforms, each waveform has a setting: some have a combined ATTACK/RELEASE adjustment, some have a DECAY adjustment ... The INSTRUMENT part offers 11 different sounds. These are the \"typical\" analog sounds from the late 70s; As for the SYNTHE section, each INSTRUMENT sounds has an adjustment, some propose an ATTACK adjustment, some offer filter adjustment, others offer TONE adjustment... As in the SYNTHE section, all the INSTRUMENT sounds are stackable. There is also a very good sounding RING MOD that can be influenced by every sounds source of the synth. The left side of the control panel is the section called \"EFFECT\". It offer more functions to change the sound: OCTAVE UP, DOWN OCTAVE, PORTAMENTO, HOLD KEY, MULTIPLE TRIGGER. Leveling of the VIBRATO... The SIGMA Level of expressiveness is very interesting: Two joystick, one for the Pitch and Vibrato, another for the LPF and HPF adjustment of the SYNTHE section. A KEYB SENSOR function to add Vibrato or PITCH UP or DOWN PITCH to the sounds. (The KEYB SENSOR is a kind of AFTERTOUCH; Reminder: the aftertouch is the ability to change a setting with the force exerted on the keyboard.) The Korg Sigma\'s sound is original, knowing being aggressive with a filter sharped like a sashimi knife, or knowing to sounds gentle with other filter settings. An important point in this time of modular synths resurgence, the Korg Sigma has CV GATE inputs and outputs, with for example a FM VCO input and a SYNTHE VCF FcM input ..

M-Audio Oxygen 88 *

The Oxygen M-Audio USB and MIDI master keyboard with 88 keys is a weighted keyboard with gradual action, for an extremely realistic touch, equipped with 32 assignable MIDI controls (8 knobs, 9 faders, 15 buttons), transport buttons and track selection , transpose and octave buttons, pitch wheels and modulation. Furthermore, this powerful Piano controller is equipped with a 3-digit LED display, 10 memory locations, DirectLink mode for native Pro Tools control and the most common DAW applications, MIDI out port and power supply via USB port. The instrument is located in our laboratory for any test, held on consignment for one of our customers.

Korg X2 *

The X2 was introduced in 1993 and was considered a further expansion from the T and O series of synthesizers. The X2 is a 76-key workstation with 8 MB ROM samples with space for expansion via ROM and RAM cards. It features 200 programs, 200 combinations and a multitrack MIDI sequencer with 10 tracks and 16 tracks. There are also 2 multi-effect processors to add effects. It also has the X / Y joystick and a backlit LCD screen. The instrument is located in our laboratory for any test, held on consignment for one of our customers.

PPG wave 2.3 #

SOLD!!! Rare and legendary. Wave 2.2/2.3 are hybrid synthesizers (digital controlled instruments with – in this case – analog filters). They offer 8 voices with 2 oscillators each. The OSC themselves feature not only ordinary waveforms such as saw, pulse, etc., but complete wavetables. There are 32 of them are at your disposal, each consisting of 64 waveforms. Running through the wavetables generates the typical PPG-sound – full of dynamic and unusual musical textures.

OScar #

The OSCar was a synthesizer manufactured by the Oxford Synthesiser Company from 1983 to 1985. It was ahead of its time in several ways and its later versions were among the few mono-synths of its time to have MIDI.[1] Around 2000 were made.

Roland SH5 #

SOLD!!! The SH-5 is a classic yet very advanced monophonic synthesizer rivalled mainly by its successor, the SH-7. The SH-5 has just about two of everything. There are two analog VCOs with triangle, ramp, square and pulse waveforms, two LFO\'s, two filters, two VCA\'s, white and pink noise generators, and more. The oscillators can be modulated by the LFOs or the ADSR envelope generator. The two LFOs include controls for rate and waveshape: ramp, reverse ramp, triangle, sine, square, delay; and there is also a Sample + Hold feature. The two multi-mode filters include hi-pass, low-pass, and band-pass filtering with cutoff, resonance, keyboard tracking, envelope sensitivity (AR, ADSR or preset) and modulation (ramp, sine, square, s+h) controls plus an additional band-pass-only filter. The two VCAs offer Attack/Release and ADSR envelopes which can be triggered by the Sample + Hold, LFO #2 or an external audio trigger input.

Elektor Formant #

\"The Formant is a conventional Moog-style synthesizer, voltage-controlled with a 1V/octave characteristic. It consists of separate modules, which I mounted in a rack. Each module is a printed circuit board with a front. \"The original book describes the keyboard and interface, power supply, VCO, VCF, LFO (consists of 3 LFOs), Noise, ADSR, VCA, COM (output module), RFM (Resonance Filter Module) and a 24dB VCF. The book by by M. Aigner contains things like Ring Modulator, Envelope Follower, Mixer, Phase Shifter, ADSR Controller, VC-LFO\'s, Sample and Hold, and a few more. I\'ll briefly describe the modules here, and how building the Formant went.

Formanta Polivoks #

The Polivoks is the most popular vintage Russian synth made in the early 80\'s and it was among the first synthesizers produced in the USSR. It\'s purely analog with two voices of polyphony, two oscillators each with triangle, square, saw, two types of pulse waveforms and one noise generator, the levels of which are controlled via the internal mixer. Although the oscillators can become unstable and difficult to tune, the Polivoks is well suited for making screeching sounds and thunderous bass. You can also connect an external audio input for processing through the Polivoks\' switchable dual-mode band pass/low pass filter and LFO sections. The LFO, or \"Modulator\" offers triangle, square, random and noise waveshapes and can be applied to the oscillator level and pitch or the filter cutoff. There are also two ADSR envelopes for contouring the oscillators and filters.

Yamaha CS30L #

The Yamaha CS30L is an analog keyboard synthesizer that was released in 1977. It is the top of the range in Yamaha\'s original line-up of monophonic synthesizers, others in the range being the CS5, CS10 and CS15. It features two voltage controlled oscillators (VCOs), two voltage controlled filters (VCFs - both featuring low-pass, band-pass and high-pass options), two voltage controlled amplifiers (VCAs) and three envelope generators. It also sports a ring modulator and a voltage controlled low-frequency oscillator (LFO).

Moog Multimoog #

The Multimoog is a monophonic analog synthesizer manufactured by Moog Music from 1978–81. Derived from the earlier Micromoog (internally, it consists of a stock Micromoog circuit board with the extra circuitry on a second board), the Multimoog was intended to be a less expensive alternative to the Minimoog. It nevertheless had some advanced features which the Minimoog did not—most notably, it was one of the earliest synthesizers to feature aftertouch capability. Key features include: 44-note monophonic keyboard with aftertouch ribbon-type pitch bend controller \"glide\" (portamento) 2 voltage-controlled oscillators with waveform continuously adjustable from sawtooth, through square, to narrow pulse oscillator sync noise source 24db/octave Moog transistor-ladder lowpass voltage controlled filter dedicated low frequency oscillator with triangle, square, and random waveforms extensive modulation routing options, including sample & hold, audio-frequency modulation of the VCF for quasi-ring modulation, waveform sweep/quasi-pulse width modulation, and more 2 AR (attack/release) envelope generators with switchable percussive/sustaining profiles external audio input for processing instruments, vocals, etc. external control voltage and trigger inputs/outputs for interfacing with other synthesizer equipment

Moog Micromoog #

The Moog model 2090 Micromoog is a monophonic analog synthesizer produced by Moog Music from 1975–79. During 1973 & 74, Moog attempted to produce a synth system, possibly as a result of seeing Yamaha\'s massive GX-1. The bass and polyphonic components of the \"Constellation\" became the Taurus and Polymoog, and while the Lyra monophonic lead synth never went into production, the smaller MicroMoog emerged, using some of the ideas and technology. The monophonic Micromoog was designed by Moog Engineer Jim Scott in consultation with Tom Rhea, with electronic refinement input from David Luce, Robert Moog, as a scaled-down, cheaper alternative to the Minimoog.

Moog sonic Six #

SOLD!!! The Sonic Six is an interesting, although obscure synthesizer from the Moog history books. Its predecessor, the Sonic V, was designed by an ex-Moog employee for the muSonics brand. When muSonics eventually bought out R.A. Moog, forming Moog muSonics, the Sonic V’s basic design was moved into a portable brief-case style synthesizer, and with only a few tweaks, the Sonic Six was born. The fact that the Sonic Six originated from another company’s design not only accounts for why the Sonic Six looks different than any other Moog, but also for some pretty unique differences under the hood as well. To start, it is duo-phonic, utilizing two analog oscillators with three basic waveforms each plus tuning, modulation and scaling controls. There are two independent LFO generators with advanced control options not seen on other Moog synths (for instance, an X/Y knob is used to mix and balance the LFO outputs). Also on-board is a Ring Modulator (that can modulate either Osc. B or external audio) and pink/white noise generators.

Arp Odissey Mark III #

Mark III was produced between 1978 and 1981, and was the last model until Korg\'s revival of the Odyssey in 2015. Mark III\'s are also the most common models of the Odyssey. The Mark III used ARP\'s four-pole 4057 filter and introduced proportional pitch control (PPC). PPC was a pitch bend system created by ARP that used pressure-sensitive buttons to control bend up, bend down, and vibrato. Older models had used a standard knob. Apart from the new filter and pitch bend, the distinguishing feature of the Mark III is its orange and black color scheme, which was consistent with other contemporary ARP instruments. Mark III Odysseys also have unbalanced XLR outputs, in addition to unbalanced 1/4\" outputs.

Oberheim Xpander #

The Xpander is a six-voice desktop version of the Matrix 12 with which it shares an identical voice architecture. In many ways they are the most flexible non-modular analog synths ever built. Each voice has five LFOs, each with about five different wave shapes, plus the ability to sample most other modulators; five envelopes that can repeat themselves, sync to an LFO, and so on; a lag processor (like portamento, but more general); three tracking generators (that apply a series of linear functions to a value over its range); some ramp generators (the attack portion of an envelope); a 15-mode filter and a user interface to make all of this accessible.

Sequential Circuits Prophet 600 #

SOLD!!! The first commercially available synth to implement MIDI!! It\'s a fun synth. Its big brother is the legendary Prophet 5. The P600 is very affordable today and is a great buy. Models with the newest software will enjoy polyphonic MIDI implementation and up to 100 memory patches to store their own sounds! The sound of the Prophet 600 is brighter and harsher than that of a Juno 106 but still just as funky. The P600 has two oscillators per voice with sawtooth, triangle and variable pulse waveforms. The oscillators can be individually tuned or synced together. Similar quality VCF and VCA sections from the Prophet 5 can be found here too! The P5\'s Poly-Mod section has also been passed onto the P600.

Sequential Circuits Prophet One #

SOLD!!! The Sequential Pro One is a wicked little monosynth! It comes from the same period and genre as the Roland SH-101 and Moog Prodigy. The Pro One was basically Sequential\'s attempt at taking their legendary Prophet 5 poly-synth and packing it into a compact, inexpensive, monophonic analog synth! It has two VCOs, a great 4-pole lowpass filter, two ADSR envelopes (one for filter), and a compact three-octave keyboard. With a Pro-One, you can easily create punchy analog bass-lines and leads or quirky analog synth effects.

Moog Prodigy #

SOLD!!! The Prodigy was an entry-level monosynth from Moog, which has since become a very popular and widely used Bass-synth in techno and electronic music. It was designed as an affordable dual-oscillator synth. It was, however, designed without any help from Bob Moog himself. But that didn\'t stop the Prodigy from becoming an excellent analog synth! Its simple yet effective design employs two voltage controlled oscillators (VCOs) with saw, triangle and pulse waveforms...all classic analog stuff! There\'s also a genuine Moog 24dB / octave lowpass filter (emphasis), A/D/S envelope generator, and LFO with square or triangle waveforms and routing to the VCF, VCO or both! Even Portamento, Pitch and Mod wheels. To save money there are no highly flexible modulation routings, no on-board sequencers or arpeggiators, and a simple 32 note keyboard.

Arp Odissey MK I (White) #

Odyssey Mk I (Model 2800) produced between 1972-75. These used a smooth but tinny sounding 2-pole voltage-controlled filter design (model 4023) similar to those used in the Oberheim SEM modules. From 1972 to 74 the Odyssey was produced with a white-faced front panel with black lettering. During 1974 to 75 they switched to a redesigned black front panel with gold lettering. However, all Mk I\'s can be identified by the rotary knob they use for pitch bending. None had any interface jacks, but a factory modification was available to add interface jacks as well as a PPC pitch bender in place of the rotary knob.

EMS Synthi A #

SOLD!!! The Synthi A and Synthi AKS models are virtually the same electronic instrument as the EMS VCS3, except that the Synthi models are housed in a thin plastic briefcase for easy portability. The Synthi A was also commonly known as the \"Portabella\".

EMS Synthi E #

SOLD!!! Ultra Rare Synthi Model E. Designed by Tim Orr at Electronic Music Studios. The Synthi E is a low cost \"Educational\" synthesizer in briefcase format with optional Synthi DKE 3 octave keyboard. The instrument also has a built in speaker for monitoring the system audio

EMS Synthi MK2 + EMS DK2 Keyboard #

SOLD!!! The Synthi A and Synthi AKS models are virtually the same electronic instrument as the EMS VCS3, except that the Synthi models are housed in a thin plastic briefcase for easy portability. The Synthi A was also commonly known as the \"Portabella\". Like the VCS3, the Synthi A and AKS feature three oscillators and a unique patch system. Instead of patch wires, they use a patchbay grid wherein the synth components are laid out and signal routing is accomplished by placing small pins into the appropriate slots. The VCS3/Synthi was, in actuality, a modular type synthesizer reduced down to an extremely portable size. The keyboard is an original Ems DK2

Korg MS 50 #

SOLD!!! The Korg MS-50 - modular in design and at the height of the MS-series synthesizers. This keyboard-less expander type module is completely patchable and uses Korg\'s Hz/V type of CV and Gate for control with other synths like the MS-20. There are lots of knobs and patch points on this one... The MS-50 is still a single VCO monophonic analog beast but offered more patchability and power than any other MS synth. Other features include a ring modulator, voltmeter and sample & hold. It was also designed to complement the SQ-10 sequencer. It has been used by The Chemical Brothers.

Korg VC 10 Vocoder #

SOLD!!! The Korg VC-10 is an analogue vocoder launched in 1978. Vocoding refers to voice encoding of speech and singing with musical synthesis. It gained popularity in the 1970s following utilisation by bands such as Kraftwerk and Electric Light Orchestra. The VC-10 allows basic functionality in operation and modulation of signal carriers. It has two microphone input options.

Modulare Macbeth X series Dual Oscillator #

- X-Series Dual Oscillator (2 VCO; built-in glide for each VCO; built-in \"modulator\"-aka LFO-for each VCO\'s frequency or PWM; pre-wired cross modulation between VCOs.)

Doepfer System A100 #

SOLD!!! The Doepfer A-100 is an analog modular synthesizer system introduced by German audio manufacturer Doepfer in 1995. Although it only had 10 modules at time of release, it currently has more than 120 modules plus several different enclosures and accessories.

Vermona Perfourmer #

The Perfourmer is a hands-on, real-time Quad Analog Synthesizer. It is a true analog synthesizer ideal for basses, leads, pads and effect sounds! It consists of four voices, each a separate synthesizer channel with its own VCO, VCF, VCA and LFO.

Oberheim Matrix 6 #

This Beuatiful OBerheim Matrix 6 is selled with this custom wood side and also the original ones.

Doepfer Dark Energy #

Dark Energy is a monophonic stand-alone synthesizer with USB and Midi interface. The sound generation and all modulation sources are 100% analog, only the USB/Midi interface contains digital components. Dark Energy is built into a rugged black metal case with wooden side plates. High quality potentiometers with metal shafts are used and each potentiometer is fixed to the case (no wobbly shafts and knobs).

Jomox T-resonator #

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO. Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

Access Virus A #

The Access Virus is a very cool, German made desktop synth-module. It quickly became a very popular and favorite synth with its aggressive analog sounds. It\'s got knobs, analog synth sounds and drums and a whole lot more! The Virus uses physical-modeling to digitally re-create analog sounds. German precision got it right! The Virus has an incredibly punchy and clean analog sound that can give you anything from low sub-woofer blowing basses to overdriven 303-style lead lines! The module is layed out with a very intuitive design that even old-school synthesists will feel right at home with. It has 32 knobs and 27 buttons, all of which allow tweaking in realtime. With 12 note polyphony and 16 multitimbral parts, the Virus is all you need to create complete and vibrant electronic music tracks!

Quasimidi  Rave - o - lution 309 #

The Rave-O-Lution is a stand alone groove box that has taken the techno world by storm. Very popular among DJ\'s for live performance and interaction with the audience! It features a very advanced sequencer and a host of excellent analog and electronic drum and bass synth sounds. The 309 is very intuitive and easy to get started using. Play with the patterns or make your own. All real-time tweaks can be recorded into your sequence for later playback!

Dave Smith Evolver Expander #

The Evolver marked Dave’s Smith’s triumphant return to hardware synths and still sets the standard for sheer sonic ferocity in a monosynth. It features a plethora of Dave’s best ideas packed into a monstrously powerful instrument with a sound like no other.

Quasimidi Polymorph #

The all new PolyMorph sequencer / synthesizer is a full featured and powerful virtually analog synthesizer that assumes an evolved form and purpose of its breakthrough hit predecessor - the RaveOLution 309! It is used by Orbital, Jean-Michel Jarre and the Prodigy.

Sherman Filterbank 2 #

– A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.

Access Virus C #

Equally comfortable in professional studios or beside a home computer, as well suited to clubs and concerts as it is to museum soundtracks, the Virus C Desktop Synth is heir to a legendary line of predecessors, and it inherits their incredible musical traditions with flying colors.

Korg Dual Foot controller PS 3040 #

Dual Foot control pedal for Korg Ps3100/3200/3300 Very rare in perfect condition.

Moog Polymoog #

SOLD!!! Very rare Moog Polymoog, under servicin\' in our lab.

Waldorf Q rack #

A really powerful and complete rack Synthesizer.

E-MU Proteus 2500 #

E-MU Proteus 2500 Synth Rack

Waldorf MicroWave 2 rack #

Waldorf Microwave rack 2

Kurtzweill K2500R #

Kurtzweill K2500R rack syntesizer.

Yamaha Motif Rack ES #

Yamaha Motif Rack ES

Korg SDD 2000 Rack #

Korg SDD 2000 Digital Delay Rack

Metasonix PT2 Tubestation Rack #

Ultra rare rack synth made by Metasonix only in 13 pieces. This one is marked 10/13

Roland SH3 #

The Roland SH3 was produced in 1974. It is more rare than the SH3A which was put into the market after Moog sued Roland for the original SH3’s filter design. This is one reason the Roland SH3 sounds so incredible.

Hartmann Neuron #

The Hartmann Neuron was an electronic musical instrument designed and built by industry designer Axel Hartmann of the German company Hartmann Music in the years 2001–2005. The Neuron synthesizer used an Artificial Neural Network to create a digital computer model from sampled sounds, implementing a new synthesis technology which was developed by Stephan Bernsee at Prosoniq.

Korg Radias #

The Korg Radias is a Virtual Analog synthesizer that was released by Korg in 2006. It takes advantage of the MMT (Multiple Modeling Technology) that their flagship OASYS synthesizer module employs. The synthesizer itself is similar in design to the MS2000, but offers many more capabilities. It is capable of emulating older digital synthesizers and classic analog synthesizers like the MS-series without any noise or aliasing. The Radias also allows for various external sounds to be fed through its filters and envelopes. It also has the Korg DWGS (Digital Waveform Generator System) that the Korg DW-8000 employs.

Crumar DS2 #

The DS-2 is basically a monosynth with an added 44-voice polyphonic strings section. The DS-2 was one of the first synthesizers to use DCOs (digitally controlled osc.) making it stable in tune but maybe not as fat as VCO synthesizers. That isn\'t to say it can\'t sound can. Especially if you use the polyphonic string section and apply some slow LFO modulation to the pitch. This is a very big and good looking synth with a lot of knobs for instant hands-on control. And you don\'t need a hardcase, it\'s built into one. Just lift the cover and there it is (smart!).

Teisco Synthesizer 110F #

The Teisco Synthesizer S110F is called a high-performance free-type synthesizer. It is a monophonic 2 oscillator analog synthesizer manufactured by Kawai in 1980 under their new synthesizer company Teisco. The Teisco 110F features a lot of modulation capabilities and controls. It\'s signals harmonic flow is somewhat different than other instruments. The oscillators go through a mixer section then into the 110F\'s Voltage Control Filter then through it\'s Voltage Controlled Amplifier then ultimately through a High Pass Filter. Clone Moog Modular #

This is a modular clone of the most famous Moog Modular. Complete with keyboard.

Alesis Andromeda A6 #

The Alesis Andromeda A6 is a 16-voice, 16-channel multitimbral analog synthesizer by Alesis which was released in 2000 and discontinued in 2010.[2] The Andromeda has analog oscillators and filters combined with modern digital control. It can be considered a hybrid of older and newer technologies, but its entire signal path is purely analogue.

Maplin 3800 #

It is a true analog monophonic synthesizer. The roots of the english MAPLIN models base on the ETI DIY Synthesizers from Australia. This MAPLIN 3800 \"Synthesiser\" (look at the photos) was manufactured in England. It has great sound capabilities because of the internal routing, the two VCOs (syncable), the noise generator, the S&H circuit (three different sources), three modulation sources, the ring modulator, the LFO, the VCF, the reverberation, the equalizer and the unique Transient circuit. The Transient is a kind of envelope that can be used to modulate several other components of the synthesizer. Like the Trapezoid circuit inside the EMS VCS3 and Synthi A synthesizers. The Transient circuit has got seven different pots for setting up and can also retrigger the synthesizer. Also there is a flexible kind of envelope for the VCA (ADDSR).

Korg PS 3100 #

SOLD!!! The PS-3100 Analogue Synthesiser has monstrous polyphony - one built-in VCO, VCF, VCA, and EG for each of the keys on the keyboard for a total of 48 synthesizer circuits and polyphony! There is no Ring Modulator or \"tremolo modulator\"; it has only 12 (divide-down) VCOs; there are 2 LFOs; and patch memory didn\'t exist in 1976. The PS-3100 has a rich sound despite its single VCO (triangle, saw, square waves, plus PWM) and its LPF is warmer than the MS synths. The Resonator (3 bandpass filters) can create formants and phase effects. LFO1 has a range up to 1khz, multiple wave forms, and can create FM effects using AM, which is continuously variable right up to Ring Modulation. There are 2 EGs - one polyphonically affects the VCA and LPF, the other (General Envelope Generator) is universal and paraphonic. The GEG can also be widely used as a modulation source. It has12 scaling controls for non equal-tempered intonation. There is an Ensemble for 70s style string patches and an extensive patchbay. The PS-3100 is huge, weighs 30kg and Korg made only 600. In 2009 you could expect to pay approximately USD 4500 / EUR 3500 for one.

Alesis Ion #

The Ion Analog Modeling Synthesizer is one fat-sounding digital synth! It has 8-voice polyphony with 3 oscillators per voice, and is 4-part multi-timbral. It offers continuously variable wave shapes (sine waves can morph into square waves), plus osc-sync and FM synthesis. 16 filter types are included, along with two LFOs, Sample & Hold, and an Arpeggiator-all of which sync to MIDI clock.

Dave Smith  Evolver #

The Evolver marked Dave’s Smith’s triumphant return to hardware synths and still sets the standard for sheer sonic ferocity in a monosynth. It features a plethora of Dave’s best ideas packed into a monstrously powerful instrument with a sound like no other. This Mono Evolver Keyboard, shares the same voice architecture as its sibling, the Evolver, but sports a 3-octave keyboard, pitch and mod wheels, and enough knobs and switches to put a smile on the face of even the most jaded sound tweaker.

Quasimidi Sirius #

The Sirius is Quasimidi\'s souped-up keyboard similar to the RaveOLution 309 and aimed directly at the dance market. It\'s filled with knobs, buttons and cool colors. Designed for total control for live performance or studio work!

Novation Supernova 2 #

Novation Supernova 2 in very good aesthetical condition. Under servicing here in our lab.

Oberheim Matrix 1000 #

Oberheim Matrix 1000 In good aesthetic condition.

Korg MS 20 #

Korg Ms 20 synthesizer that shows some signs of aging. Under servicing. Available in our laboratory.

Korg VC 10 #

Korg Vc-10 under servicing in our lab.

Korg Poly 800 Mark 2 #

Korg Poly 800 Mk2, compared to the previous one has more digital delay and MIDI SysEX functionality. Under servicing in our laboratory. Complete with hard case.

Korg Wavestation A/D EX - Rack #

Korg Wavestation A / D Rack. Considered by many to be one of the best sinth racks ever produced.

Korg T3 EX #

Korg T3 EX workstation synthesizer, available in our laboratory, under servicing.

Korg M3R + REMOTE RE1 #

The M3R is a 19" rack mount digital synthesizer module featuring the AI2 synthesis found in the M1 series of synthesizers from Korg. It cost about half as much as an M1 and offered a lighter wave rom as a result but still had a full set of excellent sounds for the player. In Combination mode it offered up to 8 programs simultaneously It also included a full set of effects and was 16 part multitimbral playback via MIDI.

Korg Trinity ProX 88 + CD SCSI + HD SCSI #

Beautiful Korg Trinity complete with external reader, Hard Disk, operating system diskettes, instructions and original packaging. Perfect.

Korg SG Rack #

Piano sound module

Korg G4 Rotary Speaker Leslie Simulator #

Leslie rotating sound simulator. To see and try in our laboratory.

Roland JX8P #

Roland JX-8P is a 61-key, velocity- and aftertouch-sensitive, six-note polyphonic, fully analog synthesizer released by Roland in 1985.

Roland JX10 #

Roland JX-10, or Super JX, is a 12-voice polyphonic analog synthesizer, with a 76-key keyboard with dynamics and aftertouch. This is a vintage machine, produced by Roland from 1984 to 1989 and, in fact, it can be considered the older sister of the equally glorious JX-8P.

Yamaha SY 1 #

Yamaha's first portable monophonic synthesizer. Aesthetically it has some signs of aging. A small piece of history, under revision, available in our laboratory.

Yamaha SK20 #

A 7-note polyphonic synthesizer with basic controls of filter, intonation, envelope and portamento. It features two oscillators per voice.

Yamaha DX7 #

Yamaha DX7 showing some signs of aging. 6 DCO oscillators for each of the 16 polyphony voices (called operators) 1 general sinusoidal LFO 6 DCA envelope generators for voice speed sensitivity and aftertouch controlled by an additional 6305 microcontroller It is possible to program the speed sensitivity in a linear way (as acoustic instruments) or logarithmic to be more suited to auditory sensitivity Small display of 2 lines of 16 alphanumeric characters 2 wheels for pitch and effect (pitch and modulation wheel) 32 memory sounds for preprogrammed sounds, to which add those on cartridges containing an EPROM 27 (c) 256 programmed by the instrument itself MIDI port without the OMNI function, not yet adopted at the time and with speed response with the maximum level at 99 despite the MIDI limit being 127 I 2 integrated summary, in the series of December 1985, are: YM2128 and YM2129, the main microcontroller is the 6303 and on the power supply plate it does not there are protections against voltage variations which is 220 V. Under servicing in our laboratory.

Yamaha TX7 Module #

Yamaha TX7 FM Expander is a digitally controllable MIDI FM sound generation system that can clearly expand the potential of the Yamaha DX7 synthesizer. It also works with other Yamaha DX series synthesizers.

Yamaha TX802 Rack #

TX802 FM Tone Generator is basically a rack module version of the DX7mkII with full 8-part multi-timbral operation for sequencing and / or key mapping. It has 16 polyphony voices and six digital FM operators, the same as the DX7mkII. There are 128 presets and 64 user patches for your sounds, plus an external memory cartridge slot.

Yamaha TQ5 #

The TQ5 is a polyphonic and multitimbral instrument with four operators, eight algorithms, eight notes, not completely different from TX81Z and DX11, but the TQ5 has ten built-in effects including reverb, delay and distortion.

Yamaha EMP100 #

Yamaha EMP 100 multi-effect processor. Available in our laboratory.

Siel Orchestra #

Siel Orchestra in excellent aesthetic condition, under servicing in our laboratory.

Jen SX1000 #

Italian monophonic Sinth of the early 70s. In excellent aesthetic condition, under servicing in our laboratory.

Roland Super JX #

Released in 1985 the JX-10 (Super JX) combines two individual JX-8P's for an outstandingly warm, rich and analog sound which is still used in many modern studios all over the world. This synth was the first Roland Synth to be fitted with a quality 76 note keyboard with velocity and aftertouch. Two DCO's per voice, two ADSR envelope generators per voice, and a resonant lowpass & non-resonant highpass filters are only the beginning. It has a 12 voice polyphony for a total of 24 oscillators and it is by far one of the most programmable synths of its time! However, as on the JX-8P, knobs and sliders have been replaced by low-profile buttons and a nice LCD display. Although this may look sleek and elegant, it makes editing a chore. Assign parameters to the alpha dial for tweaking, one at a time, or get the optional PG-800 Programmer to provide traditional, hands-on, dedicated sliders for editing the JX-10's parameters.

Moog Grandmother #

Grandmother is a semi-modular analog synthesizer with a built-in arpeggiator, sequencer and spring reverb tank. Start playing immediately with “no patching required”, and then explore an infinite sonic playground with Grandmother’s reconfigurable front panel. Grandmother’s circuits, spring reverb, and spirit are inspired by the classic Moog Modular Synthesizers, making this instrument a powerful addition to a Mother-32, DFAM or any Eurorack modular system.

Waldorf Rocket #

Primarily a monophonic synth with an analogue filter, the Rocket carries a payload of interesting extras that add up to quite a lot more.