Other

Here you can find accessories and instrument not just for the Hammond world.

We ship all over Italy and Europe……….. We think about everything

Contact us for curiosity, shipping time and evaluation of your secondhand for a possible exchange.

 

Vermona Retubeverb #

Vermona has years of experience designing valve-based circuits. This led to a layout which preserves the character of the input source and, at the same time, refines it with that typical soft compression only real tubes can deliver. The particular characteristics of the spring can be efficiently adapted to your sonic needs by a musical three band equalizer.

CD FOUR FUNK

CD Four Funk.. Produced by Grace Orange and distributed by Halidon. Musical genre: Funk-Blues. Keki Andrei: Hammond Organ, Wurlitzer Piano and Keyboards Carmine Bloisi: Drums Daniele Nesi: Bass Andrea “Ranfa” Ranfagni: Vocals Special Guest Andrea Braido: Guitars Vittorio Alinari: Sax

Revox

Fabulous 60s tube reel tape recorder

Focal Solo 6Be #

The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" “W” composite sandwich mid-woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.

Boss Digital Delay DD7 #

Even with the best-selling delays in compact-pedal history, BOSS continues to push the envelope and innovate. The new DD-7 takes the best features from its predecessors and expands the creative potential with Modulation Delay mode, classic modeled Analog Delay mode, External pedal control options, longer delay time, and more.

Boss Super Chorus #

The BOSS CH1 Super Chorus enables brilliant, clear sounds thanks to its EQ controller, but other, softer settings are of course possible. The effects unit sounds highly convincing in mono, but plug in a second amp to Output B and the sun will truly rise. A truly broad stereo sound, shimmering in the treble, makes most clean sounds (among others) much more effective.

Mesa Boogie V-Twin Rack #

The Rack-mount version has 2-Channels with 6-Modes… any of those channels/ modes are available and selectable separately via front-panel toggle switches or via six ¼” phone plug tip-to-ground contact closure connectors on the rear-panel. Those rear-panel connectors also allow you to mix Channel 1 modes with Channel 2 modes to get different sounds using an external control switcher and activating two of the Tip-to-ground contact closure connectors.

eventide Pitch Factor Harmonizer #

The PitchFactor is a stunning advancement in the world of stompboxes. Bringing studio-quality pitch-shifting from Eventide's massive arsenal of amazing effects to the studio or stage has never been easier. The PitchFactor is loaded with 10 of Eventide's signature pitch+delay effects. The PitchFactor offers tap tempo and MIDI sync, and has an expression pedal input. The PitchFactor features guitar and line level inputs and outputs for stereo operation and the software can be upgraded via USB. Craft perfect vocals with PitchFactor.

Behringer Pro-1 #

Making its debut in 1981, the monophonic Sequential Circuits Pro-One* quickly established itself as the synthesizer of choice for numerous artists including: Thompson Twins, the Prodigy, Depeche Mode, Vince Clarke, New Order, Prince, Soft Cell and a host of others. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the PRO-1 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 3 selectable waveforms, plus extremely flexible VCF and VCA filters, the PRO-1 is sure to become one of your favorite keyboards. Owning the PRO-1 is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!

MXR Phase 90 EVH #

Grab a piece of Eddie's magic with the MXR EVH 90—a collaboration between Eddie Van Halen and Dunlop Manufacturing that represents an updated version of the legendary Phase 90. The EVH 90 will give you the same great spacey swirls and hypnotic warbles that made the Phase 90 famous. But the EVH 90 also features the all-new Script switch that lets you instantly toggle between a vintage, "Script Logo" phase tone and a more modern, in-your-face "Block Logo" phaser. Plus, the EVH 90 sports the greatest graphics in the history of rock: the red, white, and black stripes from Eddie's legendary Frankenstein guitar.

Carl Martin Comp/Limiter #

Carl Martin Comp/Limiter (2018 version)! Just like the Carl Martin Compressor/Limiter, we believe this unit to be the most musically useful guitar dynamics processor on the market. The Carl Martin Comp/Limiter has been developed on request from working musicians to create a very user-friendly yet versatile compressor/limiter, which takes limited real-estate on the board. The result is this new small handy cool anodized pedal designed for a smaller pedal board footprint, In order to save knobs and to be as user-friendly as possible, the Threshold and Response settings are fixed from factory, leaving the pedal with only two knobs, the Comp and Level. The Carl Martin Comp/Limiter has been developed to incorporate the same features, sonic clarity, quietness, and performance of the best studio compressor/limiters. The Carl Martin Comp/Limiter incorporates the special CM developed DC/DC converter circuitry. This enables us to run the pedal with +-12V internally, which is necessary in order to maintain the same sonic quality and headroom as on the “old” Compressor/Limiter, using a regular 9V DC 200mA external power supply

MXR Bass distortion #

The MXR Bass Distortion dishes out big gnarly tones with all the low end your bottom-dwelling heart desires. Working closely with indie pedal phenom, bass dirt guru, and Fuzzrocious Pedals founder Ryan Ratajski, we took a famously nasty sounding distortion circuit and re-tooled it for the modern working bass player. Back in the day, if you wanted to use a distortion pedal and keep your low end intact, you had to split your clean and dirty signals between two amps. With the MXR® Bass Distortion, there's no such need—this pedal puts control over the clean/dirty mix right at your feet with separate Dry and Wet level controls. The Tone control, which only affects the distortion signal, is a simple high cut filter for dialing back the top end, and the Distortion control sets the distortion signal's intensity. Finally, the MXR® Bass Distortion's raunchy sound comes in two flavors, selectable via the LED/SIL switch. The default SIL setting uses silicon clipping diodes for an aggressive, biting sound and a bit of compression, while the LED setting uses LED diodes for a more wide open sound and a nice gain bump.

MXR  distortion 3 #

Developed from the ground up using carefully selected components, the Distortion III delivers everything from sweet singing overdrive to massive distortion crunch. Its natural and amp-like distortion is versatile enough to appeal to any playing style and transparent enough to let your guitar's personality shine through.

MXR Blue Box #

This is the crazy effect heard on Jimmy Page's "Fool in the Rain" solo. The Blue Box Octave Fuzz takes your guitar signal and duplicates it two octaves down for a huge, subterranean tone. The Blend knob lets you control how much of the fuzz tone is mixed with the two octaves down signal. Not for the timid—there is truly nothing like the Blue Box.

MXR 10 Band Graphic Eq #

M108S The MXR Ten Band EQ lets you tune your bass or guitar rig in seconds, and it’s been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs, and a second output.

MXR Bass Compressor#

The Bass Compressor provides recording-quality compression with Constant Headroom Technology™ and true bypass switching for keeping your low end tight and clean.

MXR 10 Band Graphic Eq BL #

Total control. That's really what guitarists want. And now you can have it with the MXR M-108 10-Band Graphic EQ. The M-108 provides extreme control over the ten most crucial frequencies for guitar. But that's not all. With separate input gain and output volume sliders, the M-108 also provides a ridiculous amount of level control. So you can not only dictate what your guitar sounds like but also where it sits in the mix. Make a fill or a solo jump to the forefront. Give a thin-sounding single-coil the girth to stand up to a high-output humbucker. Turn a vintage one-channel amp into a two-channel firebreather. Create scooped-mid death tones, midrange-heavy singing lead sounds, thunderous lows, crystalline highsyou name it and the M-108 will do it. Now, who wants some? Power: Dunlop ECB-004 18-volt AC Adapter

Eventide Modfactor #

All the standards - Chorus, Flanger, Phaser as well as Rotary, Tremolo, and Vibrato are there. Also included is the unique Undulator effect from the H8000 and a RingMod that lands somewhere between ring modulation and synthesis. The dedicated SLOW/FAST footswitch for ramping the LFO rate comes in handy. LFO rates can also sync to Tap Tempo and MIDI clock

Akai EWi 5000 #

EWI5000, the latest addition to the EWI series, combines innovative instrument design, wireless connectivity, and a sound library by SONiVOX to create the most expressive and versatile wind instrument available to today's musicians. Building upon the legacy of the original Electronic Wind Instrument, Akai Professional created EWI5000 with the same objective in mind—deliver unprecedented musical expression to wind players everywhere. Experience the next generation in wind-performance technology with an instrument that’s built for the contemporary player.

 

 

 

 

 

 

IMG_2190

Hammond Organ bench. Various models are available for Hammond L, M, C……

 

 

 

 

viennese viennese. 2 viennese. 3 viennese. 4 viennese. 5

  • Viennese piano, the end of ‘800. Only about 8000 instruments were produced. The cabinet has a remarkable visual impact. Music sheet holder with inlay. Gold finish. 118 cm., Grand piano for real collectors!!!!!!!!!!! Contact us to have many more information